TABLE OF CONTENTS


PROVENANACE_______


Gaston Save Papers, 1773 - 1901 (Bulk 1880 - 1900).
4.0 Linear Feet.
Collection number: MSS-003 

The Gaston Save collection was given to the Auraria Library 
as part of the Donald Sutherland papers (MSS-001), donated in 
1979 by Donald Sutherland with the aid of Professor Lynn C. Martin.  
Property rights are held by the Auraria Library Archives and
Special Collections Department.  Literary rights to published 
material by Save and other authors may vary.  The collection 
is available for view and photocopy.

Save’s works and associated publications contained within the 
collection cover French art and architectural history and 
restoration. Most materials date from 1880-1900, though some 
date back to 1773.  With one exception, the collection is in French.
	
Citation:

	Gaston Save Papers, 1773-1901
	[Container #]/[Folder #]
	Auraria Library Archives and Special Collections Department
	Auraria Library
	Denver, Colorado



 
BIOGRAPHICAL SKETCH_______

 

 
Gaston Gilbert Daniel Save was born in Saint-Dié-des-Vosges, 
Lorraine, France, on August 22, 1844, to Louis Etienne 
Onesime Save and Sophie Julie Amelie Zetter.  Save’s contemporaries, 
including Henri Bardy and Ferdinand Genay, held him in some 
esteem as an architectural illustrator and historian.

After an 1864 bout with scarlet fever, Save plunged himself 
into literary and historical life as a student in Paris.  
He supported the Paris Commune, a socialist government that existed 
from March 26 – May 30, 1871.  The Commune and its supporters, 
the Communards, were toppled by an army from Versailles, and 
30,000 Communards and other sympathetic citizens were executed.  
7,000 were exiled.  Very few escaped outright, and one of these 
was Save, who fled to Switzerland and returned to France after 
several years.  He settled again in Saint-Dié-des-Vosges, 
and worked to preserve monuments and notable architecture in 
the region.  In 1891 he also exhibited 300 pieces of his art 
work in the Exposition des Beaux-Arts in Nancy.

His most notable restorations and studies were made concerning 
the Croix de Bourgnone, the home said to belong to Joan of Arc, 
the frescoes of the Church of Saint Clement, and the 
cathedral of Saint-Dié-des-Vosges.  His most enduring literary 
endeavor was the Patriote vosgien: journal républicain 
progressiste, which he founded in 1881.

Upon his death due to heart failure on July 20, 1901, Save 
was honored with a retrospective tribute authored by Henri Bardy 
in the journal La Lorraine.




TIME LINE_______ 

Major Events in Save's Life and Dates of Important Publications.
 
1844	Aug. 22		Gaston Gilbert Daniel Save born in Saine-Dié-des-Vosges, Lorraine, 			   
			   France.
1859	Aug. 27		"Vallee du Flan pres Saale" (drawing) - see Ct.2/Fd.115.
1864			Save survives scarlet fever.
1871	March 18	The Paris Commune establishes government, which Save supports.
1871	May		Due to reprisals against the Communards, Save flees to Switzerland.
1877			"La Panagia du dome de Strasbourg" - see Ct.1/Fd.74.
1891	Jan. 8		Letter from Victor Franck - see Ct.2/Fd.80
1893			"Origines de Neufchateau” - see Ct.1/Fd.72
1895			"Iconographie et Légends Rimées" see Ct.1/Fd.65.
1896			"Philippe de Florange" - see Ct.1/Fd.78.
1897			"Les Peintres Strasbourgeois" see Ct.1/Fd.60.
1897			"Jean Pèlerin le Viateur" see Ct.1/Fd.67.
1897			"Les Peintres Verriers Nancéiens sous René II" see Ct.1/Fd.76.
1898			"Le Groupe Equestre de Grand au Musée Lorrain" see Ct.1/Fd.63
1898	Feb. 12		Letter from Victor Franck - see Ct.2/Fd.81.
1899			"Gérard Jacquemin et le Portail de Toul"
1898			"La Mort du Téméraire" - see Ct.1/Fd.70.
1901	July 20		Save dies of heart failure.
1901	July 24-25	Obituaries of Save from "Le memorial des Vosges" and "Le 
			   Republicain de L’Est" - see Ct.1/Fd.47.
1901	Aug. 1-15	"Gaston Save: Artiste Peintre", Henri Bardy from "La Lorraine", 
			   V. 19 Issue 15 & 16. - see Ct.2/Fd.17.




SCOPE AND CONTENTS_______


The collection includes subject notes and commentary, materials 
relating to renovation ceremonies, manuscripts of works by Save, 
news clippings relating to Save and his work, publications 
by Save and contemporaries, and dozens of pieces of Save’s artwork.  
Most papers were created or published between 1880 
and 1900, but the earliest item is dated 1773 and the latest is 1901.

Many of the items pertaining to several categories relate 
to the Croix de Bourgnone and the cathedral at Saint-Dié-des-Vosges. 
Subject files include many of Save’s 
notebooks, which have historical notes and sketches concerning the 
Lorraine region’s cathedrals, and some journals containing 
personal reflections on area politics.  The author also contributed 
architectural illustrations to other works, which 
have a separate category. Correspondence is scant, but does have 
some notes relating to Frank Mason’s Harper’s Weekly 
article.  There are set notes from a theatre piece designed by 
Save, and over 70 sketches on various media.

Several items are undated and therefore are not included in the timeline.




SERIES DESCRIPTION_______


Series 1: Subject Files encompasses a catch-all of notes, personal 
reflections on newspaper articles, and fragments of 
writing not verified as a published work.

Series 2: Manuscripts by Save are handwritten MS, some of 
which can be found in different formats throughout the collection.

Series 3: Publications by Save are journal articles, monographs, 
excerpts, and other formats authored by Save and published 
by various French journals.

Series 4: Correspondence to Save is comprised of letters 
written to Save by various associates. Most are professional 
in nature.

Series 5: Correspondence from Save includes letters to 
various family members. 

Series 6: Publications Illustrated by Save is publications and 
excerpts illustrated, but not authored by, Save. Most illustrations 
contain Save’s distinctive imprint and are lithographed in Nancy.

Series 7: Newsclippings are small articles written by Save, 
obituaries of Save, and announcements and articles about 
his work and life.

Series 8: Mansuscripts by other authors.

Series 9: Publications by Other Authors include some signed 
works by contemporaries. It is arranged by author, then 
known date of item.

Series 10: Graphic Art 

For Examples of Save's Artwork, Click on the "Examples" Button. 

Examples






CONTAINER LIST_______
  

Series One: Subject Files
 
Container/Folder 
1/3	Etival, 1894.
1/4	Les Fresques de Malzeville, n.d.
1/5	Mort malheureuse se Mr. Hugo de Spitzeberg, n.d.
1/7	Monument Carnot, 1892-1896.
1/8	Ormont, 1890.
1/9 	La Presentation de la Vierge, 1898.
1/10	Affaires de Raon en 1785, 1773-1785.
1/11	Henri Royer (with correspondence from M. Royer), n.d.
1/12	Sigillographie de Saint-Dié, n.d.
1/13	The tomb of Charles the Bold, n.d.
1/14	Tomb of Garin le Loberain, 1896
1/17	Un emeute de femmes à Raon le 15 Juin 1771, 1881.
1/21	Les ancètres de Victor Hugo, n.d.
1/36	Unidentified notes on mythology, n.d.
1/80	Le portrait de Cl. Jacquard a la cathedral de Nancy, 1897.
3/81	Articles Divers, 1876-1877.
3/80	Les Strasbourgeois en quatre-vingt trieze, 1876 
3/30	Photograph of Save at an easel, V. Franck, n.d.
3/31	Various newsclippings and sketches, n.d.
3/61	Reimbursement form 1891-1894.
3/63	Ferri III (unidentified fragment),March 27, 1778.
3/65	Correspondence to Mme. Jeanne Hocqueloun from unknown, 
	   August 8, 1882.
3/66	Correspondence to Mr. Jean Baptiste Hocqueloun from unknown, 
	   April 20, 1883.
3/67	Bookmark with flower embroidery, n.d.
3/69	Transfer of land title,	February 19, 1770.
3/70	Memoires de la Société d’archéalogie (fragment), 1868.
3/75	Various postmarked stamps, 1869-1871.
 
Series Two: Manuscripts by Save
 
Container/Folder
1/1	L’Arsenal de Nancy, n.d.
1/2	La Croix de Bourgnone, 1895.
1/15	La Croix de Bourgnone, n.d.
1/16	Dessins contre les papes, par un chanoine de Metzvers 1521, n.d.
1/17	Les fresques de l’eglise de Malzeville, n.d.
1/19	Le Groupe équestre de Grand au Musée Lorrain, n.d.
1/20	Le Groupe équestre de Grand au Musée Lorrain, n.d.
1/2*	Jean Pèlerin le Viateur, n.d.
1/23	Lampes en verrerie d’art par Daum freres, n.d.
1/24	Monnaies gauloises decouvertes à Robache (incl. sketches), n.d.
1/25	Le Monument du Temeraire à Nancy, 1898?
1/26	Monuments gallo-romains des environs de Saint-Dié, n.d.
1/27	Nicolas Wolff et la defense de Rothau, March 20, 1887.
1/29	Peintres, n.d.
1/30	Philippe de Florange, n.d.
1/31	Relation des evenements … à Saint-Dié les 1, 2, et 3 
	   Septembre 3, 1793, n.d.
1/32	René de Lorraine et Charles le Téméraire à Saint-Dié, n.d.
3/74	Les Restes du Téméraire (fragment with design),	n.d.
1/33	Saint-Dié, baptistere de l’Amerique, n.d.
1/34	La Sorcellerie à Saint-Dié, n.d.
1/35	Le Tombeau du Téméraire à Nancy, n.d.
1/37	Varietes historiques: Notes de Voyages: Victor Hugo à Nancy, 1839, n.d.
1/38	Le Vase de St. Charles,	n.d.
1/6	Vautrin Lud et le Gymnase Vosgien, 1890.

Series Three: Publications by Save

Container/Folder
1/48	Antiquités de Saint-Dié (2 copies), 1896.
1/49	Augustin: Miniaturiste Lorrain, 1888.
1/50	Augustin: Miniaturiste Lorrain,	1888.
1/51	Les Carolingiens dans les Vosges, n.d.
1/52	Charles Claudot: decorateur lorrain 1733-1806, 1888.
1/53	Le Costume rustique vosgien, 1888.
1/54	Le diplome de l’imperatrice Richarde à Etival en 1886, n.d.
1/55	Le diplome de l’imperatrice Richarde à Etival en 1886, n.d.
1/56	Le Donon: tombeau de Pharamond, n.d.
1/57	Le Duc René Ier: artiste peintre, 1899.
1/58	Les Fayences de Gerardmer, 1888.
1/59	Les Fresques de l’eglise de Malzeville, n.d.
1/61	Gérard Jacquemin et le Portail de Toul,	1899.
1/62	`Gérard Jacquemin et le Portail de Toul, 1899
1/63	Le Group Equestre de Grand au Musée Lorrain (with Ch. Shuler), 1898.
1/64	Les Hugo de Spitzemberg et Victor Hugo,	n.d.
1/65	Iconographie et Légends Rimées (illust. V. Franck), 1895.
1/66	Jacques Augustin, n.d.
1/67	Jean Pèlerin le Viateur, 1897.
1/68	Jean Pèlerin le Viateur, 1897.
1/69	Jehanne des Armoises, 1893.
1/70	La Mort du Téméraire, 1899.
1/71	Nicolas Wolff et la Défense de Rothau, n.d.
1/72	Origines de Neufchateau, 1893.
1/73	Origines de Neufchateau (3 copies), 1893.
1/74	La Panagia du dome de Strasbourg, 1877.
1/28	La Panagia du dome de Strasbourg (article with notes for addition), n.d.
1/60	Les Peintres Strasbourgeois (Illust. Louis Benoit), 1897.
1/75	Les Peintres Strasbourgeois (Illust. Louis Benoit) (2 copies), 1897.
1/76	Les Peintres Verriers Nancéiens Sous René II, 1897.
1/77	Philippe de Florange, n.d.
1/78	Philippe de Florange, 1896.
2/70	Rapport sur les muse departemental des vosges, n.d.
1/79	Restauration de Notre-Dame de St-Die, n.d.
2/1	Les Restes du Téméraire (partial, with some notes), 24/12/1893.
2/2	Les Restes du Téméraire, 1894.
2/3	Le Salon carre de l’hotel-de-ville de Nancy, n.d.
2/4	Le Sarcophage de Saint-Dié (with review from Chronique des Vosges, 
	   1901), n.d.
2/5	Sigillographie de Saint-Dié, n.d.
2/6	La Sorcellerie a Saint-Dié, n.d.
2/7	Les Souvenirs artistiques de la principaute de Salm, n.d.
2/8	e Tombeau de St. Mansui à Toul attribute a Mansui Gauvain, 1897.
2/11	Le Vase de Saint-Charles, n.d.
2/12	Vautrin Lud et le gymnase vosgein, 1890.
2/13	Voltaire à l’abbaye de Senones,	1882.
2/9	Unidentified pages, n.d.
3/76	Various publication fragments, n.d.
3/77	Various publication fragments, n.d.


Series Four: Correspondence to Save

Container/Folder
3/62	From Charles Barba (calling card), n.d.
2/79	From Benoit, 7/11/1878.
2/80	From Victor Franck, 1/8/1891.
2/81	From Victor Franck, 2/12/1898.
2/82	From Anatole Franz, 10/20/?
2/83	From O. Leroy, 1/16/1890.
2/84	From Frank Mason, 7/8/?
2/85	From Frank Mason, 9/14/?
2/86	From Frank Mason, 10/12/?
2/87	From Frank Mason, 11/29/1891.
2/88	From Unknown, 5/22/1890.
2/89	From Unknown, 9/10/?

 

Series Five: Correspondence from Save

Container/Folder
2/73	To Grandparents, 4/25/1864.
2/74	To Grandparents, 10/27/1864.
2/75	To Grandparents, 11/5/1864.
2/76	To Grandparents, 12/19/1864.
2/77	To Mother, 4/11/?
2/78	To unknown, n.d.


Series Six: Publications Illustrated by Save

Container/Folder
2/65	Découverte Archéologique faite près de Xertigny-ev-Vosges, n.a.	n.d.
3/73	Philippe de Floranges (unidentified fragment), n.d. 

Series Seven: Newsclippings

Container/Folder
1/39	Bibliographie de Gaston Save, n.d.
1/40	Reviews of Lakme, for which Save designed the set, 1884.
1/41	Un Musée d’art decorative à Nancy (with corrections), n.d.
1/42	Nicolas Wolff (fragment), n.d.
1/43	Review of “Les origins de Victor Hugo”, Mace de Challes, 7/15/1885.
1/44	Un Patriote vosgien, concerning le Comte Hugo, n.d.
1/45	Articles discussing the tomb of Charles the Bold, 1894?
1/46	Articles on St-Dié and the World’s Columbian Exposition in 
	   Chicago in 1893, 1893-1894.
1/47	Obituaries of Save from Le memorial des Vosges and La republicain 
	   de L’Est, 1901.


Series Eight: Manuscripts by Other Authors

Container/Folder
2/90	L’Artiste (poem), A. Demange, n.d.
2/91	Etude sur Vezelise et son baillage, Louis Heitz, n.d.
2/92	Poems and manuscript fragment, Emile Hinzelin, n.d.
2/93	Three unidentified manuscripts, n.a., n.d.
2/94	Piscine, Charles Schuler, n.d.



Series Nine: Publications by Other Authors

Container/Folder
2/44 	Abbaye et chapitre de Poussay, Emile Gaspard, n.d.
2/46	Ancel, Sire de Joinville, Léon Germain, n.d.
2/34	Anciennes Sepultres de l’eglise du Prieure …, F. de Chanteau, 1879.
3/64	Annales de L’Est, 4/1891.
3/79	Armorial du Duché de Nivernais, George de Soultrait 
	   (incl. Save coat of arms), 1847.
3/72	Bibliothèque Romans Nouvelles Variétés,	n.d.
2/61	The Baptismal Font of America, Frank Mason (photocopy),	10/1892.
2/64	La Cathédrale de Saint-Dié, n.a.,25/8/1894
2/68	Chapelle historique de l’eglise de Senones, le Bon Frederic 
	   Seilliere, 1888.
2/69	Le chariot d’or de l’Ormont légende vosgienne, Paul Tisserand, 1889-1890.
2/50	Le Col de Saales, Gaston de Goldbéry, 1887.
2/39	Comment l’on voyageait en France au siècle dernier, A. Fournier, 1883.
2/27	Le Conseiller d’etat Nicolas Pistor, G. De Braux, 1894.
2/26	Les Corporations d’arts à Florence au temps de Dante …, 
	   M. de Bourreule, 1882.
2/46	Crédence et Piscine du XIme siècle, Léon Germain, 1891.
2/43	Le décor symbolique, M. Emile Gallé, 1900.
2/28	Description d’un laraire antique trouve a Naix, M. Bretagne, 1883.
2/40	Deux episodes de l’histoire de Rambervillers, Docteur A. Fournier, 1879.
2/32	Dissertation sur les divinités payements, Dom Calmet, n.d.
2/47	L’Eglise d’Hammeville, Léon Germain, 2/1894.
2/54	Esquisse geologique du Val d’Ajol, Henri Hogard, n.d.
2/59	Etudes classiques sur la demonomanie, Maurice Macario, 1843.
2/48	Ferry Ier, comte de Vaudemont (1393-1415), Léon Germain, n.d.
2/66	Fêtes du centenaire de la Réunion de la Principaute de Salm…, n.a., 11/9/1893 
2/71	Fondeurs <>, Max W(eber?) (signed), n.d.
2/17	Gaston Save: Artiste Peintre, Henri Bardy (photocopy), 1901.
2/19	Le General Haxo (7 Juin 1749-21 Mars 1794), Henri Bardy, 1895.
2/18	Le General Guye (1773-1845), Henri Bardy (signed), 1899.
2/57	La Guerre de Sedan: episode du regne de René II, Henri Lepage, n.d.
2/20	Les Guerres D’Autrefois, Henri Bardy (signed), 1894.
2/52	Les Halles de Vézelise, L. Heitz (signed), 1894.
2/29	Inscriptions metalliques sur les edifices publics des 
	   Leuci, M. Bretagne, 1880.
2/58	Jeanne d’Arc à Domremy, Osvald Leroy (signed), 1890.
2/72	Légendes populaires, deux poesies en patois de la Haute-Moselotte, X., n.d.
3/78	La Lorraine, year’s run (includes original of 2/17), 1900-1901.
2/21	La Marraine de L’Amerique, Henri Bardy, 1893.	
2/22	La Marraine de L’Amerique, Henri Bardy (article), 1893.
2/36	Mours et usages des étudiants de l’Université…, J. Favier, n.d.
2/53	Note sur un bronze découvert à Landouzy-la-ville, Ant. 
	   Heron de Villefosse, 1881.	
2/10	Note sur un bronze … (fragment), Ant. Heron de Villefosse, 1881.
2/25	Notice sur des antiquites du department de la Meurthe, 
	   Louis Benoit, 1865.
2/30	Notice sur des poids antiques, M. Bretagne, n.d.
2/56	Nouvelle etude sur l’Université de Pont-A-Mousson, J. Favier, n.d.
2/37	Notice sur l’église de Rollainville, Humbert, n.d.
2/55	La Passion du doux Jesus, Chanoine Hingre, 30/12/1892.
2/60	Les poesies populaires de la Lorraine, Laurent Abbe Marchal, n.d.
2/63	De Quelques antiquités gauloises en Lorraine, M.P. Morey, 1868.
2/23	Quelques notes historiques et archéologiques, Henri Bardy (signed), 1862.
2/62	Recherches critiques et bibliographiques…, Ed. Meaume, n.d.
3/71	Le Regent, E. Iohmann, n.d.
2/15	Un reliquaire du XIIIe siècle …, X Barbier de Montault, 1893.
2/31	Représentation d’Hercule, vainqueur de geants…, M. Bretagne, n.d.
2/24	Ruines de prieure de Froideval en 1846 (illustrations), Henri Bardy (signed), n.d.
2/16	Le Saint Clou a la Cathédrale de Toul, Mgr. X. Barbier de Montault, n.d.
2/49	Sainte Marie Majeure, patronne de l’abbaye, Léon Germain, 1895.
2/38 	Sebastien Bottin, J. Favier, 1895.
2/35	Sur L’autel consacre à Hercule Saxanus, M. F-R Depeux, n.d.
2/33	Taranus? Ou Taranis?, J.-F. Cerquand, 7/1882.
2/67	Toul et Grand, L’Abbe Raoult, 1890.
2/41	Vielles coutumes, usages et traditions populaires, A, Fournier, n.d.
2/42	Vielles coutumes, usages et traditions populaires, A, Fournier, 1890-1891.
2/51	Les Villes Neuves en Lorraine, Ch. Guyot, n.d.
2/14	Un voyage de circumnavigation (troisième livre), Achille Balliere, 1875.

 

Series Ten: Graphic Art
 
For Examples of Save's Artwork, Click on the "Examples" Button. 

Examples

Container/Folder
2/95	Pencil: garden/arboretum, n.d.
2/96	Pencil: archway, n.d.
2/97	Pencil: angel, three female figures, n.d.
2/98	Pencil: Marianne? n.d.
2/99	Pencil: Seated male figure, n.d.
2/100	Pencil: Archer on Horseback, n.d.
2/101	Oil on Canvas: Self Portrait of Save, n.d.
2/102	Pencil: Le postillon de Selestadt à St.-Dié, n.d.
2/103	Pencil: D’Artagnan, n.d.
2/104	Pencil/watercolor: mounted centurion, n.d.
2/105	Pastel: Musée du Louvre, statuary, n.d.
2/106	Pencil: chateau, n.d.
2/107	Pen/ink: Mounted figures under a bridge, n.d.
2/108	Pencil/ink: postcard, Cote des chanoines, pres Nancy, n.d.
2/109	Pencil: pipe smoker, landscape, n.d.
2/110 	Pencil sketch: Woman with closed eyes, n.d.
2/111	Pencil sketch: Horses and riders, n.d.
2/112	Pen and ink: Sarcophagus (signed), n.d.
2/113	Pen and ink: Proportions de Leonardo de Vinci, n.d.
2/114	Pencil sketch: Man with hat, n.d.
2/115	Pencil: Valee du Flan pres Saale, 8/27/1859
2/116	Pen and ink: Leonardo de Vinci,	n.d.
2/117	Pastel: Le Discobole: Musee du Louvre, n.d.
2/118	Pencil and pastel: Avallon, n.d.
2/119	Pencil and pastel: Ajaccio, n.d.
2/120	Calcography: Two plates of building, one print		n.d.
2/121	Charcoal: male face, n.d.
2/122	Charcoal: Merlin? n.d.
2/123	Ink tracing: architectural ceiling detail, n.d.
2/124	Jean Prouve, 1901.
2/125	Photograph: Mary and monk, n.d.
2/126	Pen and ink: Woman and child (Lakme?), n.d.
3/1	Pencil: vaulted room, n.d.
3/2	Charcoal/watercolor: details of La Panagia, n.d.
3/3	Pencil: woman’s face with heart shape (reverse) woman with cat’s head, n.d.
3/4	Pencil: child playing under shrub, n.d.
3/5	Pencil: Don Quixote/Sancho Panza; house, n.d.    
3/6	Pencil: forest, n.d.	  
3/7	Pencil: Mounted centurion (reverse) house with thatched roof, n.d.
3/8	Pencil: man with hat, n.d.
3/9	Pencil: man with cap, n.d.
3/10	Scenery layout for Les Amours du Diable (fragile), 10/10/1881.
3/11	Photocopy for use of 3/10, 10/10/1881.
3/12	Pencil sketch: Man with hat, n.d.
3/13	Pencil sketch: Man with food, n.d.
3/14	Pencil and charcoal: Windmill and lake, n.d.
3/15	Pencil and charcoal: Baden, n.d.
3/16	Pen and ink: Street scene signed by Save, n.d.
3/17	Pen and ink: Street scene signed by Save, n.d.
3/18	Pen and ink: Street scene signed by Save, n.d.
3/19	Pencil sketches: Various subjects, signed by Save, n.d.
3/20	Pencil sketch: Hearth (reverse) Mountain scene in watercolor, n.d.
3/21	Printed photograph: L’Antiphonaire manuscript (by J. Royer), n.d.
3/22	Printed photograph: Portrait of Jacquard (signed by 
	   J. Drouet), 12/1896.
3/23	Printed photograph: Les Confessionaux de Bon-Secours 
	   (by J. Royer), n.d.
3/24	Various sketches by various artists relating to Charles the 
	   Bold and Rene II, n.d.
3/25	Ink sketch: “Regular” house of Gaston Save in Basle, Switzerland, 1870.
3/26	Various sketches by various artists; tombs, n.d.
3/27	Printed photograph: Le Duc de Lorraine from La Nanceide 
	   (Pierre de Blarru), n.d.
3/28	Printed photograph: Renatus from La Nanceide (Pierre de Blarru), n.d.
3/29	Printed plate w/ poem: Lorraine cross, n.d.
3/32	Pencil: woman leaning on broom, n.d.
3/33	Pencil: man with handlebar mustache, n.d.
3/34	Charcoal/ink: Zouave soldier, 7/1859?
3/35	Pencil: Villiers levee, 5/1854.
3/36	Print: artists by Joseph Hussenot, n.d.
3/37	Pen/ink: musical instruments, n.d.
3/38	Pencil: rough sketch of town, n.d.
3/39	Printed photo: La Charite, n.d.
3/40	Pencil: Sarcophage, n.d.
3/41	Pencil sketch: Children under a tree, n.d.
4/42	Printed illustration: Credence et piscine do XIe siècle en 
	   l’eglise…, n.d.
3/43	Printed photograph: Abside de L’eglise Notre-Dame (by J. Royer), n.d.
3/44	Printed photograph: Tribune de lEglise Notre-Dame (by J. Royer), n.d.
3/45	Pencil sketch: Salival en 1752, n.d.
3/46	Pencil sketch: Woman (reverse) bottom half of figure, n.d.
3/47	Pencil sketch: Emile Clement, 1868.
3/48	Pencil and charcoal: Child (reverse) elderly man, n.d.
3/49	Charcoal: Archway, n.d.
3/50	Pencil sketch: Avallon, n.d.
3/51	Pencil sketch: House on river, n.d.
3/52	Watercolor: Maitre Gottlieb Murr, n.d.
3/53	Printed illustration of tomb by Max Werly (signed), 3/22/1897.
3/54	Printed photograph: La Casa Pasolini A Ravenna, n.d.
3/55	Printed illustration: Statuary (by Louis Benoit), n.d.
3/56	Printed photograph: Les Mines de Lorraine, Vers 1510, n.d.
3/57	Printed Illustration: La Cathédrale de Metz (by A. Deroy), n.d.
3/58	Pen and ink: Dessins de porte, n.d.
3/59	Pencil sketch: L’entenement au village and portrait (by Lemon? 
	   Durand), n.d.
3/60	Charcoal sketch: Faces, n.d.
3/61	Ink: Portrait of unknown (by Maurice Barres), 1898.
Box 1	Scenery Layout for unidentified play, n.d.
3/100	Pencil sketch: archer on horseback.
3/101   Oil on canvas: portrait of Save.
3/102   Pencil sketch: "Le Postillon de Selestadt a St.-Die."
3 103   Pencil sketch: "D'Artagnan" figure.
3/104   Pencil/watercolor: mounted centurion.
3/105   Pastel: Louvre torso.
3/106   Pencil sketch: castle.
3/107   Pen/ink: mounted figures under bridge.
3/108   Pen/ink: "Cote des chanoines, pres Nancy."
3/109   Pencil sketch: pipe smoker, landscape.
3/91    "Etude sur Vezelise et son bailliage." By Louis Heitz.
3/92    Poems by Emile Hinzelin. "Les Remplacantes," "La Divine," 
	  "Caritas mundi," "Le Troupeau des Arbres," "Le Retour,"
	  "La Lente parole," "Lorraine-mere," and four pages 	   
	  from an unidentified work of fiction.
3/93    Three unidentified poem manuscripts, n.a.
3/94    "Piscine," by Charles Schuler.
3/95    Pencil sketch: garden/arboretum.
3/96    Pencil sketch: arch.
3/97    Pencil sketch: angel, three female figures.
3/98    Pencil sketch: Marianne?
3/99    Pencil sketch: seated male figure.
3/120   Chalcograph(?): two plates, one print.
3/121   Charcoal: male face.
3/122   Charcoal: "Merlin" face.
3/123   Tracing in ink: pattern from a book cover?
3/125   Photograph (with instruction marks for typesetter and printer?): 
	   a Mary and a priest.
3/126   Pen/ink: Woman with child, possibly Lakme.
3/1     Pencil sketch: vaulted room.
3/2     Charcoal/watercolor: details of "La Panagia" from the dome of 
	   the Strasbourg cathedral.
3/3     Pencil sketch: woman's face emphasizing heart shape; reverse: 
	   cat-faced woman.
3/4     Pencil sketch: child playing under shrub.
3/5     Pencil sketches: Don Quixote/Sancho Panza; house.
3/6     Pencil sketch: forest.
3/7     Pencil sketches: mounted centurion/house with thatched roof.
3/8     Pencil sketch: man with hat.
3/9     Pencil sketch: man w/cap.
3/31    Folder containing various sketches.
3/32    Pencil sketch: man leaning on broom.
3/33    Pencil sketch: male face with handlebar moustache.
3/34    charcoal/ink: soldier.
3/35    Pencil sketches: "Villiers levee, mai `54"; "De ma chambre a 
	   Villiers, mai '54."
3/36    Drawing by J. Hussenot.
3/37    Pen/ink: musical instruments, column.
3/38    Pencil sketch: town (Avallon or Carcassonne?)
3/39    Printed photo: "La Charite (Medaillon en marbre de Sebastien
           Adam.)"